Events
From the microphone that carries your vows to the light that dresses the room, through to the dancefloor that keeps everyone up late: we handle the sound, the lighting and the DJ for your wedding. In a villa, a masseria, or a venue with a view over the water — across the Amalfi Coast, the Sorrento peninsula and anywhere in Italy — with a crew that stays for every part of the day.
The problem
A wedding day doesn't get a second take: if the music drops out during the first dance, or the guests at the back can't hear the vows, there's no rerun. The real risk is hiring someone who drops off the equipment and disappears. We stay, from the first guest to the last song.
Why us
One point of contact, from the first quote to the desk on the night
Professional equipment we own, tested before your day
A technician at the desk all day, ready to fix anything without stopping the party
Most of the couples we work with will see their venue once, or not at all, before the wedding day. That changes what a technical supplier has to be.
We visit the venue for you. We know what the terrace at a Ravello villa does with sound at sunset, where the power actually is in a Sorrento masseria, and which Neapolitan courtyards carry voices and which swallow them. You get a written proposal describing what will be installed and where — not a list of equipment you have to imagine into place.
Your planner, if you have one, talks to us directly. If you don’t, you talk to one person from the first email to the last song.
A wedding is not one event. It is five, and each needs different sound and different light.
The ceremony. Vows have to reach the back row, outdoors, without visible speakers or cables across the lawn. Wind and distance are what swallow words at coastal venues, and both are solved by placement rather than volume.
The aperitivo. Guests move and talk. Music should be everywhere at the same level — under the pergola, on the terrace, in the garden — and quiet enough to let people speak without raising their voices.
Dinner and speeches. A microphone ready at the right moment, already set to the right level. If there is a video to play, we receive it beforehand and run it, so nobody is crouched over a laptop.
The cake. The room drops, the chosen track starts on cue, and — if you want them — cold spark fountains frame the moment. They are not pyrotechnics: low-temperature sparks, DMX controlled, usable indoors where the venue permits.
The party. Full sound that stays clean with a floor full of people, moving heads, beams, low haze. A technician stays at the desk: a dancefloor is read in real time.
The venue after dark. This is the part that surprises people. A villa, a cloister, an olive grove — beautiful in daylight, invisible at night unless somebody lights them. Uplighting at the base of façades and columns, warm light on the tables and the trees. Guests rarely notice it consciously. They just find the place more beautiful in the evening than it was in the afternoon.
Outdoor sound behaves differently: without walls to reflect it, it disperses quickly, so a system sized for a ballroom will not cover a terrace. Where the available power is not enough we bring a silenced generator, and where guests move between areas the audio becomes multi-zone, with independent levels for ceremony, aperitivo and dinner.
Many venues along the coast have their own sound limits or curfew hours. We check them with the venue in advance rather than discovering them at midnight, and we plan the evening around them.
The date and the venue first — good dates fill many months ahead, and checking availability costs nothing. After that: roughly how many guests, which moments you want covered, and the kind of evening you have in mind.
From there we build a written proposal, tailored, with no obligation.
Example setups
Every wedding is different: these are examples of how we size a build. We'll design yours together, around your venue and your guest list.
Example 01
The vows have to reach everyone, including the back row, without the technical side being visible. Discreet sound, radio mics ready before they're needed, and a warm light that supports the moment without taking it over.
May include
Example 02
Ceremony, drinks, dinner, then the floor opens: each part has its own sound and its own light, with a technician handling the transitions before you notice them. One point of contact for the entire day.
May include
Example 03
Villas spread over several terraces, masserie, venues in Positano, Ravello, Sorrento or on Capri: guests moving between garden, hall and terrace, the audio becoming multi-zone, and a lighting design that dresses each space. For the entrance and the cake, the effect people photograph.
May include
No fixed packages: every quote is built around your request, on the venue and the number of guests.
Tell us about your eventFrom our archive
Builds we've signed for weddings and receptions: architectural light on the venue, beams into the sky, effects on the entrance and the dancefloor.
Photos of our own builds · click to enlarge
Related services
Answers
Yes: we set up sound and microphones for the ceremony (civil, religious or symbolic), then the drinks reception and the dinner. One coordinated setup for the whole day.
Yes — villas and outdoor venues across Campania, including the Amalfi Coast, the Sorrento peninsula and Capri, and we travel throughout Italy. Outdoors we size the system to the distances involved and, where there's no adequate supply, we bring a silenced generator. We usually do a site visit to plan the build properly.
They're fountains of cold sparks — not pyrotechnics — fired over DMX, ideal for the couple's entrance or the cake cut: a big effect, entirely safe even indoors.
It's most of what we do. We agree everything in writing beforehand — timeline, cue list, equipment — in English, and we coordinate directly with your planner and your venue. Many of the venues along this coast we already know, so we can advise on what will and won't work there before you commit.
There's no price list: you tell us about your day — date, venue, guest numbers, the music you love — and we build a quote around it, with no obligation. What you read is what you pay.
Answer a few questions in the configurator: we'll propose the right setup and prepare your quote.
